Your Novel. Broadcast Live.
Radio Novel turns your manuscript into a fully-produced radio drama — narration, character voices, soundscapes, and music, orchestrated by AI and directed by you.
No account required to see your price. $29 per finished hour, 20% deposit to begin.
From manuscript to full production
Every scene goes through the same craftsmanship, whether it's a short story or a saga.
Cast Your Characters
Our AI detects every speaking character in your manuscript. You direct the casting with a full voice audition wizard, or design brand-new AI voices from scratch.
Cinematic Production
Narration, dialogue, ambience, Foley, and an original score — composed and mixed into one immersive production, with expressive delivery for every line. Drop a hint anywhere in your text and the mood shifts right there — calm to tense, a sudden silence, a one-off sound effect — you direct the scene, not just the cast.
You Stay in Control
Preview before you pay the balance. Download the final mix plus every isolated stem track — narration, each character, Foley, ambience, and music. Not quite right? Clone the take, adjust the cast or direction, and produce again.
Don't Have a Manuscript Yet? Write One With Quill.
Meet Quill, your AI writing partner. Describe your idea — a premise, a character, a whole plot, as much or as little as you have — and Quill will think it through at the book (or, for a series, series) level first, then build out chapter-by-chapter outlines, a proposed cast of characters, and a backlog of anything it's unsure about for you to decide. From there, Quill stays with you as a research and writing partner through every chapter.
Quill researches, writes, and edits chapter prose as real, immediate changes — not autocomplete.
Outline, cast, and backlog scaffolded for you to build on.
Every save is tagged and revertable — never an opaque black box.
Hear it for yourself
Eight short scenes, eight genres — the same AI production pipeline every one of your scenes goes through, with full narration, character voices, ambience, Foley, and score.
The Apprentice's Reckoning
A young mage's first real spell goes further than she ever intended.
Narrator [dramatic tone] Three hundred years, the tower of Aldenreach had stood empty of true magic. Tonight, that changed.
Elder Vask [pause] Mira. Put the book down. Whatever you think you found in there, it is not a lesson for tonight.
Mira [excited] But it's real, Master Vask! A binding older than the Fracture itself, just sitting here, waiting for someone to read it aloud!
Narrator [pause] She read it aloud.
Elder Vask [shouts] Mira, no!
Narrator [dramatic tone] The words left her lips like they had been waiting three hundred years for exactly her voice to carry them.
Mira [gasps] Master Vask, I can feel it, it's answering me, it's actually answering-
Narrator [pause] Light tore up through the floor stones, and for one long moment, the whole tower seemed to hold its breath.
Elder Vask [awe] By the old stars. Child, do you have any idea what you just woke up?
Mira [drawn out] ...No. But I don't think it's angry. I think it's been lonely.
Narrator [dramatic tone] And in the tower of Aldenreach, after three hundred silent years, something ancient finally opened its eyes.
Signal from the Deep
A ship's AI detects something that shouldn't be possible.
Narrator [dramatic tone] Three months into the deep-space survey, the transport ship Meridian's AI flagged an anomaly that shouldn't have existed at all.
ORACLE [pause] Captain Reyes. I am detecting a structured signal originating from an object with no prior catalog entry.
Captain Reyes [tired] It's the middle of my sleep cycle, ORACLE. Tell me it can wait until morning ship-time.
ORACLE [interrupting] It cannot wait. The signal is repeating in a pattern consistent with our own first-contact protocol.
Narrator [pause] Reyes was on her feet before ORACLE finished the sentence.
Captain Reyes [gasps] That protocol was classified eighteen years before this ship was even built. Nobody outside the Fleet has it.
ORACLE [drawn out] Correct, Captain. Which raises the one question I am unable to answer on my own. Who out here already knows how we say hello?
Narrator [dramatic tone] Outside the viewport, the object hung motionless in the black, waiting, it seemed, to be answered.
The Third Alibi
A detective's third suspect finally cracks - but not in the way she expected.
Narrator [pause] Detective Nora Quinn had interviewed two liars already tonight. She had a feeling the third one was about to become the first truth.
Nora [drawn out] Ms. Aldous. Your neighbor says your porch light was off all night. You told me it was on.
Vera Aldous [sighs] Lightbulbs burn out, Detective. That's not a crime, last I checked.
Nora [curious] No. But being seen replacing that very bulb at eleven forty, forty minutes after the estate was robbed, is an interesting coincidence.
Vera Aldous [pause] ...
Nora [pause] Vera. I'm not asking you what you saw. I'm asking what you were making sure nobody else could see.
Vera Aldous [sorrowful] Fine. Fine! I wasn't hiding a robbery, Detective. I was hiding my own car in that driveway. I wasn't supposed to be in this neighborhood at all tonight.
Nora [drawn out] Now that. That I actually believe. Which means our real thief is still out there thinking they got away clean.
Narrator [dramatic tone] Nora closed the folder, and for the first time all night, allowed herself something close to a smile.
Ninety Seconds
A negotiator has ninety seconds to talk a stranger back from the edge of a decision that can't be undone.
Narrator [dramatic tone] Ninety seconds. That's how long the call center told Agent Reyes she had before the tower lost the signal for good.
Reyes [rushed] This is Agent Reyes. I know you can hear me. I'm not going to hang up, and I'm not going anywhere.
Caller [shouts] You don't know anything about me! Nobody's coming up here, you understand? Nobody!
Reyes [pause] Nobody's coming up. That's a promise. It's just you and me on this line. Tell me your name.
Caller [tired] ...Danny. It's Danny.
Reyes [drawn out] Danny. Okay. Danny, I need you to do one thing for me, just one, and then we'll figure out the rest together.
Caller [gulps] What.
Reyes [pause] Take one step back from that edge. Just one. I'll still be right here on the line.
Narrator [pause] Sixty-one seconds left. And somewhere above the wet, glittering city, a man named Danny finally took one step back.
The House on Miller Street
A storm-stranded traveler is not alone in the basement.
Narrator [pause] The storm had chased Ellen Marsh off the highway and into the only house with a porch light still burning on Miller Street.
Ellen [tired] Hello? The lady at the gas station said this place takes travelers in bad weather.
Narrator [pause] No one answered. But somewhere below her feet, floorboards creaked, slow and deliberate, like something pacing itself.
Ellen [whispers] Hello?
The House [whispers] You're already inside. That's the only invitation I ever needed.
Narrator [gasps] Ellen spun toward the basement door, certain, certain, she had locked it behind her the moment she walked in.
The House [drawn out] Stay as long as you like, Ellen. The others did.
Ellen [shouts] How do you know my name?
Narrator [dramatic tone] The porch light went out. And on Miller Street, the storm swallowed everything that happened next.
Platform Nine, Six Years Later
Two people who never got to say goodbye finally get a second chance on the same platform where they said it.
Narrator [pause] Six years ago, Jonah Price said goodbye to Adaline Reyes on Platform Nine and never forgave himself for meaning it.
Jonah [awe] Adaline?
Adaline [gasps] Jonah. I- I didn't know you still came through this station.
Jonah [sighs] I don't. Haven't in six years, actually. I just... had a feeling about today, for some reason.
Adaline [laughs softly] That's a very convenient feeling to have, standing right where you left me.
Jonah [drawn out] I've had six years of convenient feelings about you, Adaline. I just never had the nerve to follow one this far.
Adaline [sorrowful] I waited on this platform for an hour after your train left. Did you know that?
Jonah [pause] I know now. I think some part of me has been trying to get back to that hour ever since.
Narrator [happily] And on Platform Nine, six years and one very convenient feeling later, neither one of them boarded a train that evening.
The Last Door of Kalanor
Two rival explorers reach the sealed heart of a lost temple at exactly the same moment.
Narrator [dramatic tone] For three centuries, the last door of Kalanor had held. Tonight, two rival explorers reached it within seconds of each other.
Cassidy [excited] Well, well. Professor Renfield. Didn't expect the university to send someone who could actually keep pace.
Renfield [sarcastic] I didn't expect to be racing a treasure hunter with, generously, one working flashlight, Ms. Cassidy.
Cassidy [laughs] Two flashlights. And I found the pressure plate before you did, so I'll take the compliment either way.
Narrator [pause] The ancient door groaned, stone grinding against three hundred years of silence, and began, impossibly, to open.
Renfield [awe] That's not possible. This mechanism should have seized centuries ago.
Cassidy [drawn out] Possible or not, Professor, I suggest we go in together. Whatever's waited three hundred years for us, I'd rather not meet it alone.
Renfield [sighs] Fine. Together. But the university gets first publication rights.
Cassidy [mischievously] We'll negotiate that after we survive whatever's through that door, Professor.
Narrator [dramatic tone] And side by side, rivals for the very last time, they stepped through the last door of Kalanor together.
The Last Standoff
A sheriff and an outlaw face off in the dusty street of Dry Gulch.
Narrator [dramatic tone] The sun hung low over Dry Gulch, bleeding orange light across the dust and the boarded-up windows. Sheriff Amos Cole stood alone in the middle of the street, and he was not smiling.
Sheriff Cole [drawn out] Three years, Jed. Three years I've been waiting on this street for you to come walking back into town.
Jed Calloway [mischievously] Now, now, Amos. Is that any way to greet an old friend?
Narrator [pause] The outlaw's hand hovered near his holster, easy as anything, like the two of them were just passing the time of day.
Sheriff Cole [shouts] Friend? You burned down the Hendersons' barn with their boy still asleep in the hayloft!
Jed Calloway [sighs] That boy got out. I made sure of it myself before I lit the match. Some things I don't forgive myself for either, Sheriff.
Narrator [dramatic tone] For a long moment, neither man moved. Somewhere down the street, a shutter banged loose in the wind.
Sheriff Cole [whispers] Draw, Jed. Or ride out of Dry Gulch and never come back.
Jed Calloway [drawn out] Wasn't planning on staying, Sheriff. Never was.
Narrator [dramatic tone] And then, without another word, Jed Calloway turned his horse toward the horizon, and Dry Gulch let out a breath it had been holding for three long years.
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